Showing posts with label Salida. Show all posts
Showing posts with label Salida. Show all posts

Tuesday, December 11, 2007

Snow!

After a fall so warm and dry that we had no significant moisture between September and December, a storm late last week finally brought us rain turning to snow - lots of it. Our local ski area, Monarch, went from bare ground to skiers' nirvana with over 70 inches - almost six feet - of new snow on Thursday and Friday. Another storm blew in yesterday, dumping foot in the high country.

With that kind of snow, it was impossible to resist playing hooky today. So we didn't: this afternoon we piled our skis, boots, and poles in the car, along with our daughter Molly, home for a pre-holiday visit from Portland, and headed for the mountains. Twenty minutes later, we were parked in a white wonderland, with fresh snow covering trees, rocks, mountainsides, road, and no one else in sight. We laced up our boots, clicked into bindings, grabbed our poles and began to schuss uphill.

Flakes of snow twirled out of thinning clouds overhead; two ravens coasted by, silent but for the sound of air passing through their stiff black wings. Then it was just the creaking of fresh snow under skis and labored breathing as we climbed the old narrow gauge railroad grade. Ours were the first tracks - except for the twin-hoofed prints of a herd of mule deer that bounded uphill through the snow as we watched.

We skied uphill for almost an hour, then followed another railroad right-of-way around a forested ridge, swooping down and across a creek almost buried under mounded snow. We saw more deer tracks, met two other skiers, and two guys in a Jeep looking for a lost pair of dogs. We startled a flock of mountain bluebirds caught uphill by the sudden storms, and watched a long-tailed, rusty-capped sparrow hop about, foraging for seeds on the surface of the snow.

For the last half a mile, we raced the sunset downhill. We schussed around the last bend as the clouds overhead turned brilliant pink and then began to fade. Red-cheeked, out of breath, and almost giddy, we stowed our skis and slithered down the snowy road toward home as the early darkness of a winter night swallowed the landscape and its mantle of fresh snow.

This afternoon's outing reminded me - again - of the joy of simply getting outside and losing ourselves and our cares in the company of the living world. How easily I forget, and how generous and beautiful is the remembering!

Tuesday, October 30, 2007

Green roofs and glimmers of moonlight on the road

Last week I gave a mini-class on green or vegetated roofs, roofs with an insulating, carbon-sequestering, heat-island-effect mitigating and habitat-providing layer of soil and plants. My audience: Boulder Associates, an architectural firm in Boulder with an office in a very cool renovated historic bank building on the Pearl Street mall. They specialize in sustainable architecture, and their office shows it: it's flooded with natural light, uses energy-saving products throughout, and showcases a variety of innovative, sustainable materials including my personal favorites, cork floors and sunflower seed hull counters, which show seed hulls clearly, giving the counters a lovely random and natural pattern.

After my talk, Richard and I drove home to Salida the long way. The very long way: we headed north first, crossing the subdivision-choked high plains to Fort Collins via back roads.

From there we headed west, following the winding canyon cut by the Cache La Poudre River through the ancient crystalline rocks at the root of the Front Range on its way to the Plains. We went upriver, driving into the late afternoon sun, following the Cache La Poudre-North Park scenic byway. Scenic the road surely is: it winds up out of the plains along the river in a rocky canyon so tight at times that there is barely room for both the clear flow of the river, punctuated by anglers in waders stalking trout, and the two lanes of Colorado highway 14. The rocks are the show here, forming sheer cliffs right along the river, or at a remove, high above, twisted and compressed and shot with huge white veins of quartz.

We wound our way up and up and up and up as the sun slowly headed toward the horizon, finally topping out on the gently planed landscape of Cameron Pass with the white crags of the Never Summer Range to the south and the air smelling of wet spruce and fir needles.

Then a short drop into the high basin of North Park, zipping along through forests of lodgepole pines, and, just after the small town of Rand, turning onto a gravel road that angled southwest across the high valley. Just as we turned, and Richard slowed for the slush left by a recent snowstorm, we saw a yearling moose, all chocolate brown with tan stockings on its long, gangly legs, trotting off the road. It was tagging along behind two adult mule deer who looked absurdly small beside their long-legged, long-backed, big-eared adoptive "child." I hope they know what they're doing. . . .

We headed out of North Park to the south, topping Willow Creek Pass just as the one-day-shy- of full moon rose in the east, a chalky white disk in the still-blue sky. On the western horizon, the peaks of the Park Range stood bright white against a sun that hadn't quite set.

The light held as we zipped down Willow Creek to join another scenic byway, Colorado Headwaters, at Granby. We rushed west along the upper Colorado where it winds through the rumpled topography of Middle Park, through Windy Gap with its wide band of autumn-gold cottonwoods along the river and in the rear-view mirror, the line of the Front Range turning pink in the afterglow of sunset. Through Parshall, where a freight train four times the length of the tiny town passed slowly by, Sulphur Hot Springs with a steaming cloud rising from the historic spa, and to Kremmling, where the Colorado cuts its way out of the Rockies in the steep V of Gore Canyon, headed for the Plateau Country.

We parted from that byway north of Kremmling, a good thing, because it was dark and I was too tired and sated with the sights of the road to take notes. We drove the rest of the way home by moonlight: up the Blue River with the peaks of the Eagles Nest Wilderness shimmering ghostly against a sky shot with stars as I fed Richard bites of potato salad for dinner-on-the-road while he drove. At Silverthrone, we shot onto I-70 and sped through the marbled walls of rock where the Gore and Sixmile ranges grind against each other in a still-active fault. We shot off the ribbon of interstate at Copper Mountain and then turned south again, headed up the short and nearly straight pull to Fremont Pass.

Coming over the pass and into our own watershed, the Upper Arkansas River drainage, Mt. Massive and Mt. Elbert, Colorado's two tallest peaks, shone like enormous white elephants sleeping along one edge of the valley far below, their glimmering snow-lit bulk dwarfing and palely illuminating the landscape. Through Leadville, and then alongside the silver ribbon of the Arkansas River tumbling down the valley through Granite, Buena Vista, and on to the pool of lights of the town where the river slices its way out of the mountains, headed for the Plains: Salida, the exit for the Arkansas, but home for us.

We tumbled out of the car at nine-thirty, our brains stuffed with the sights of a seven-hour drive home via two scenic byways, three major river drainages, over four passes, and along eight mountain ranges, and the last half of it by the reflected silver light of an almost-full moon. It was magic - and our own bed never looked so good!

Thursday, March 22, 2007

Writers passing through

This month, Richard and I have hosted a succession of writers coming through Salida. First was Ellen Marie Metrick, poet of place and heart from Norwood, in southwest Colorado, here to teach poetry and perform at Sparrows, Salida's annual poetry festival. Ellen blew in on a cold March wind and brought us sunshine and warm weather - and left us Tonics For Disembodiment, her mini-chapbook of words from land and home. Here's a sample:
ii. Moon
The canyon walls vibrate
with bat calls
rattlesnakes
spiral
beneath cooling boulders
earth's spin
reveals celestial bodies
this is not the time
for sleep
keep our eyes open
This old poem
always has something new
to show us

Next in were Donna Druchunas, driving her chrome yellow Mini Cooper and Deb Robson, in a lipstick red PT Cruiser, both from Fort Collins. They came to participate in The Arts @ The Library, a series that brings artists of all sorts to speak at the Salida Regional Library. (The series is co-sponsored by Art Works for the Heart of the Rockies, a non-profit that aims to "weave the arts into the fabric of our community" and "make the arts accessible to all.")

Donna is the author of the best-selling knitting book, Arctic Lace, a story that twines knitting patterns with memoir and the history of qiviut, the downy fiber of musk ox, and the cooperative of Alaska native women who knit exquisite and ethereal creations with this rare yarn. How could you not want to read a book with a preface titled "Following My Obsessions to the Arctic"? If you've never knitted in your life and never intend to, read it for the history of a luxury fiber that has to be felt to be believed and the women who work against extraordinary odds to bring it to life.

Deb is her publisher through Nomad Press, a one-woman press fired with a passion to bring traditional fiber arts the attention they deserve. On her web site, Deb says Nomad is

a small, fiercely independent publisher. . . . that honors and teaches traditional creative and artistic skills and processes with a strong emphasis on textile crafts, especially knitting.

She also publishes a select group of young adult novels. (The connection makes sense when you read the books!) For those of you who dream about publishing your own or other's books, here's a sample of what it's like to be an independent publisher and freelance for other publishers:

Several fall-release titles from several publishing companies have been landing on and being launched back off my to-do list, my desk, my computer. On some, I'm the writer; on some, the editor; on some, the production department, marketing department, and publisher. Because these projects are associated with a variety of companies and topics, their schedules are not even remotely coordinated.
She's crazy. But it's publishers like Deb that bring voices like Donna into print and books like Arctic Lace to life, giving us all a wider and richer view of the world.